Call for papers

Forging the American Century: World War II and the transformation of U.S. internationalism

The intersection of contemporary debates about the future of American power and recent developments in the field of diplomatic history compel us to reconsider the foundations and contours of the American Century.

IN LIMINE Fringe Forms and Border Discourses

PhD in Literary, Linguistic and Comparative Studies

Graduate Conference 2016

Keynote speaker: Edgar Radtke

Obama’ Legacy: Tensions & Reconfigurations After the Presidential Elections.

Scientific Committee: François de Chantal (Political Science, Paris Diderot) – Andrew Diamond (History, Paris 4) – Frédérick Douzet (Geopolitics, Paris 8) – Romain Huret (History, EHESS) – Denis Lacorne (Political Science, Sciences-Po/CERI) – Vincent Michelot (Political Science, IEP Lyon) – Jean-Christian Vinel (History, Paris Diderot) – Julien Zarifian (Geography, Cergy Pontoise University).

“Innovative Poetries – Innovations in Poetry”

Beginning with the modernist aesthetic revolution, poetry has continuously shown a stubborn resolve to respond to social, political and cultural shifts and crises with technical innovation. Such innovativeness speaks of the resilience of poetry, as genre, as it refuses to succumb to various announcements of its death or cultural irrelevance. The historical lineage of these responses is an impressive inventory of technical innovation in itself. While the New York School poets reacted to the monumental edifices of their modernist predecessors, their own performative-surrealist modes or varieties of “personism” were later replaced by the Language poets’ insistence on the dissolution of personal expressivity, while both the Language and New York School poets have been seen as responding to the technically moderate “scenic mode” of the 1970’s.

Images of America: Reality and Stereotypes

There are ambivalent, conflicting and contradicting images world-wide of America, its culture, institutions and people. America impacts world-wide, and its image is shaped by every available medium. We will describe and discuss the nature and sources of the conflicting images, keeping in mind that the images of America are what they are perceived to be in the eyes of the viewer – no matter what the reality might be.